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Alyssa Palombo

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An Excerpt from The Borgia Confessions!

Since we are all staying at home and socially distancing, and since I can’t be at bookstore events reading to you all in person, I decided to record a video of myself reading a short passage from The Borgia Confessions. Hope you enjoy, and hope you are all staying safe and staying healthy!

Authors & Inspirations: Stephanie Storey

How about a new Authors & Inspirations post? I’m delighted to welcome Stephanie Storey to the blog today. Stephanie is an author of historical fiction, and her fabulous and vivid next novel, Raphael: Painter in Rome, will be out April 7th. I was lucky enough to read an early copy, and this beautiful book is one that has stayed with me since. Definitely pre-order yourself a copy for an escape into Renaissance Rome during these trying times! Read on to learn more about Stephanie’s own artistic inspirations.

 

 

What artist (of any medium) has had the biggest influence on you as a writer?

Michelangelo because of his obsessive determination to succeed, loner nature, and talent for expressing the struggles of humanity.

 

Do you listen to music while you write? Why or why not?

I almost always listen to music while I write. I choose songs that help me slip into the mood of the character. If I’m listening to a song that brings forth that same emotion in me, I can more easily can empathize with what my character is going through.

 

Are there any musicians who have had a big impact on your work?

REM/Michael Stipe and the Indigo Girls probably had the most formative impact on my writing: I admire the way they dive deep and straight at the heart. But also, I’m from the American South (Arkansas), so I also have to admit that country music has profoundly impacted my storytelling.

 

Share some of your favorite song lyrics:

“And the Mississippi’s mighty
But it starts in Minnesota
At a place that you could walk across
With five steps down
And I guess that’s how you started
Like a pinprick to my heart
But at this point you rush right through me
And I start to drown”

Ghost by Indigo Girls

 

“Did you never call? I waited for your call
These rivers of suggestion are driving me away
The trees will bend, the cities wash away
The city on the river is a girl without a dream…”

So. Central Rain by REM

 

Favorite old lyrics that take on whole new meaning these days:

“This was unexpected,

What do I do now?

Could we start again please?

I think you’ve made your point now

You’ve even gone a bit too far to get your message home
Before it gets too frightening, we ought to call a halt
So could we start again please?”

Could We Start Again Please from Jesus Christ Superstar

 

Your favorite band is going to write a song based on one of your books. What band is it, and what should the song be about?

Instead of a band, can I go with songwriter? Because I want to hear Lin Manuel Miranda writing a song about the moment in my new novel, Raphael, Painter in Rome, when the young Raphael stands in front of Michelangelo’s David for the first time, witnessing his rival’s brilliance and questioning whether he can ever find a way to beat it. I’d love to hear what Lin did with this moment of self-doubt mixed with determination to somehow win.

 

You are magically going to be granted the ability to be a virtuoso on one instrument. Which do you pick?

Saxophone. I love the yearning in the whine of a sax. It feels like a great expression of human longing. I desperately wanted to learn to play one when I was a kid, but never had the chance. Maybe that’s what I’ll do in my 40s!

 

What are your all-time favorite TV shows?

Survivor! It’s my favorite anthropological study of human interaction. I learn so much about how people manipulate others while watching that show (great research for a novelist!)

 

What TV shows are you loving lately?

I love a lot of them, but again, I’ll limit myself to one: This Is Us is my favorite show on TV right now. It makes me weep every single week.

 

Is there a TV show that’s had an impact on you as a writer?

Lots of them influenced me, but I’ll go with Little House on the Prairie because I used to watch and re-watch that show when I was a little kid (like 6, 7, 8). I was realizing that I wanted to write when I grew up, and I knew I wanted to tell stories that were as exciting and suspenseful and emotional as Little House on the Prairie (At the time, I thought it was the greatest storytelling in the world). I didn’t know this at the time, but now I know that I was breaking the stories down to study their components and figure out how they worked together to drive narrative forward. Yes, I was a nerdy kid.

 

Is there a movie that’s had a big impact on you as a writer?

The Star Wars movies probably had the biggest impact because they were formative in my young life, and they serve as the basis for so much of Christopher Vogler’s The Writer’s Journey (which applies Joseph Campbell’s Hero with a Thousand Faces to screenwriting) which probably had the biggest impact on my writing out of everything I’ve ever read and studied.

 

Which of your books do you think would make a great movie? Is there a book of yours you WOULDN’T want to see as a movie, and why?

Oil and Marble is in development as a feature film right now by Pioneer Pictures, and I’m very excited about it because I originally conceived of the story as a screenplay/movie, so it feels like it’s all coming full circle!

 

Are you a theatregoer? If so, what was the last play/musical you saw?

Musicals are actually my favorite kind of storytelling. The most recent show I saw was Jagged Little Pill on Broadway. I expected it to be yet another jukebox musical (this one of Alanis Morrissette’s music), but it was so much more than that. It’s a moving, important, contemporary story that everyone should see. My other favorite that I’ve seen recently is Six the Musical about the six wives of King Henry VIII. It’s a musical in which his six wives have a sing-off, competing over whose marriage was worse. It’s funny and sweet and inspirational!

 

Are there any visual artists you’re a big fan of?

I could write a whole book about just this one question! I’ll narrow it down to my absolute, all-time favorite top five:

Michelangelo (of course)

Raphael (of course)

Van Gogh

O’Keeffe

Everett Shinn (American, Ashcan School, for those of you who don’t know)

… Can’t believe I made myself narrow it down to five!

 

Do you ever draw on visual art in your work?

All the time, every day, every hour. I hope to be writing art historical fiction until the day I die, just like Michelangelo was still carving marble the week before he died when he was almost 89 years old. Oh to be able to do what you love until you die.

 

Has a place you’ve traveled ever inspired you in your writing?

The first place that truly inspired me was Italy. I studied art and Italian at the University of Pisa when I was twenty-years old, and I’m fairly certain that semester abroad altered the course of my life, since it was the first time I saw the David and the Sistine Ceiling in person. Paris also holds a particular creative power over me. Honestly though, almost every place I’ve ever traveled inspires me in some way!

 

What authors have most inspired you in your own work?

Jane Austen and Margaret Atwood are my all-time favorites, but my work is equally as inspired by Ken Follett, Dan Brown, and Philippa Gregory.

 

What was the last book you read?

I’m finishing up the Borgia Confessions by YOU, and I’m really loving it. It’s shocking that you made me empathize with Cesare Borgia, of all people, and that new perspective was just fun. Last week, I finished Christopher Bollen’s A Beautiful Crime, a gorgeous crime novel set in Venice. Next up, Therese Anne Fowler’s A Good Neighborhood.

 

What’s your favorite book you’ve read recently?

Goldfinch is the most recent book that I’ve read that I just positively fell in love with—like instant classic for me. It ranks up there with my all-time favs like Pride and Prejudice and anything by Margaret Atwood

 

What’s a book you’ve loved that you feel more people should be talking about?

Consider the Feast by Carmit Delman is strange and fascinating and rich… I’ll admit a bias: Carmit and I got our MFAs in Creative Writing together at Emerson College, but I was genuinely floored by her newest novel, and it has stuck with me long after I read it.

 

What are your very favorite kinds of scenes to write?

Anytime an artist is having a creative breakthrough, Michelangelo finding David in the stone; Leonardo finding Lisa’s smile; Raphael sparking genius on the walls of the pope’s private quarters…

 

What artistic/creative talents do you have outside of writing?

I was a singer for a very long time when I was young. I’ve also spent serious stints as both a painter and an actor. I love exploring new creative fields, if nothing else to understand—more clearly—what it feels like to create different kinds of art.

 

If you could have a drink/cup of coffee/beverage of choice with any three people alive in the world right now, who would you pick?

My husband, Mike Gandolfi, and two of my best friends from college Michelle D’Antuono Wilburn and Sarah Potter (and I’d bring along Michelle’s husband and Sarah’s wife if I could expand the dinner party, too!) I’ve produced talk television for nearly 20 years, so I’ve met everyone famous I could ever want to meet, and let me tell you, they never live up to expectations. Plus, awkward conversations with famous people are not nearly as much fun as great conversations with great friends; and I appreciate those moment even more now during this pandemic, when we can’t get together with the people we love the most.

 

Let us know what’s coming up next for you: new books, new projects; what are you working on?

My new book, Raphael, Painter in Rome, comes out on April 7th so I’m out promoting that (moving book tour out of physical venues and online!) I’ve already finished the first draft of my next novel, but I’m not talking about it yet, except to say that it’s still art historical fiction and that I’ll be leaving the Italian Renaissance for now. I’m not done with the Italian Renaissance yet, but I want a moment away from it, so I can return with a fresh perspective. The next novel will also cover an area of art with which I have been obsessed for a very long time…

 

Stephanie Storey is the author of the stunning debut, Oil and Marble: A Novel of Leonardo and Michelangelo. It has been translated into six languages and is in development as a feature film by Pioneer Pictures. Storey is also a TV producer of The Alec Baldwin Show on ABC, The Arsenio Hall Show for CBS, and the Emmy-nominated The Writers’ Room on Sundance. When not writing fiction or producing television, she can usually be found traveling the world with her husband—an actor and Emmy-winning comedy writer—in search of her next story.

Twitter: @sgstorey https://twitter.com/sgstorey

The Borgia Confessions is OUT NOW!

Today is the day, at long last! The Borgia Confessions, my fourth novel, is finally out in the world!

After living this with book for so long, and putting so much work into it, and (lately) doing a lot of promotional stuff for it, it’s a little hard for me to believe that this book is finally out and on bookstore shelves!

I am so, so deeply proud of this book, and know without a doubt that it’s the best thing I’ve written to this point. It was inspired by so many things: the political situation in the United States the last few years and my desire to speak to power and its abuse, my own complicated feelings about Catholicism, my love of villains and villain origin stories, and perhaps most importantly, the fact that I’ve been kind of obsessed with the Borgias since I was a teenager. Infused in this book is my love of shows like Breaking Bad and Game of Thrones, as well as my love of metal music. And, perhaps most of all, my love of and fascination with Italy and its incredible history can also be found in the pages of this book – and the fact that it is my first novel to be published in Italy (it was released there on November 5th, 2019) is so incredibly meaningful to me as well. I really fell in love with Rome in particular while working on this book, and I like to think that love comes through.

Tonight I’m having a book launch party (details on the Events page; if you’re in the Buffalo area, come on out!), and I’m so excited to share this book with everyone. I’m looking forward to celebrating tonight, and tomorrow I have a day off to relax and chill and decompress from the craziness of launch day and the lead up to it.

I’m SO happy this book is finally available and making its way into the hands of readers, and I hope that you enjoy it!

 

Buy The Borgia Confessions:

Amazon

Barnes & Noble

IndieBound

Audible

The Borgia Confessions Playlist

Somehow, there is now only ONE WEEK TO GO until the publication of The Borgia Confessions! Therefore today I’m releasing the final playlist for the book, the full The Borgia Confessions playlist! This one has both Maddalena and Cesare’s playlists combined (in story order) along with a few additional songs as well. Hope you enjoy, and I so can’t wait for this book to be available next week!

 

Maddalena’s Playlist

Today marks only TWO WEEKS until the publication of The Borgia Confessions! As promised, I have another playlist to share with you all today: the playlist for Maddalena Moretti, the second narrator of the novel. If Kamelot was kind of Cesare’s signature artist, then Halsey is Maddalena’s. Hope you enjoy!

 

 

Cesare’s Playlist

The Borgia Confessions will be out exactly THREE WEEKS from today! To help count down to publication day, today I’m releasing the first of three playlists for the book: Cesare’s character playlist. (There is…so much Kamelot). Check it out on Spotify!

 

 

Preorder Campaign for THE BORGIA CONFESSIONS

It’s now 2020, officially the release year for The Borgia Confessions, and February 11th isn’t that far off! On that note, I’m excited to announce my preorder campaign for The Borgia Confessions!

If you preorder the novel before release date, I’ll send you some of the book’s bookmarks (picture below and designed by my super talented best friend, Jennifer Hark-Hameister) and a signed bookplate!

The rules are simple:

1.) Preorder The Borgia Confessions in any format, from any retailer, before February 11th, 2020.

2.) Send me your receipt/proof of purchase at alyssa@alyssapalombo.com, along with your mailing address. I’ll then put the bookmarks and bookplate in the mail to you!

3.) Open internationally!

 

And that’s it! Who doesn’t love swag? 🙂

 

I’m so excited to share this book with you all soon. Happy 2020!

15 Facts About THE VIOLINIST OF VENICE

Today marks the fourth anniversary of the publication of my debut novel, The Violinist of Venice! It totally does not seem like it’s been four years since I first became a published author – it doesn’t feel like it’s been that long at all. So much has happened since then (including the fact that I’m somehow gearing up for the publication of my FOURTH BOOK – WHAT EVEN), and yet it still seems like it just happened.

So in honor of the fourth anniversary of this book I love so much, and that anniversary falling on December 15th, I decided to share fifteen fun facts about The Violinist of Venice:

 

1.) The working title was Maestro. On my first revision/second draft, I changed it to The Violinist of Venice. Before going on submission, my agent and I kicked around a few other title options to see if there was something we liked better than The Violinist of Venice, and there wasn’t, so we went with it. I love that title because it can refer to either Adriana or Vivaldi, or both.

2.) I retyped the entire book twice. My agent loves to tell this story: for each of the two revisions I did before querying, I printed out the whole manuscript, put it in a binder, and manually retyped the entire thing as I revised. This forced me to consider every single word and whether or not it was necessary, or if it was the best word. My agent found this admirable, but the two of us joined forces to break me of this habit – it’s definitely not efficient or practical time-wise, which I quickly found out when doing revisions on more of a deadline.

3.) Each version of the book got shorter. The original, very messy first draft was almost 600 pages. It got shorter (and, more importantly, tighter) with each revision it went through, from the ones I did on my own to the revisions my agent and I did before going on sub to the line edits my editor did.

4.) I first got the idea for the book from a dream I had. The dream was essentially the first chapter of the book. And the date on which I woke up from that dream? March 4th – Antonio Vivaldi’s birthday. I started writing the book that same day.

5.) I never had an edit letter for this book. By the time my editor bought it, the manuscript was pretty polished – I’d been working on it for five years (due to being in college at the time, as well as my very time-consuming revision process described above), and that was before the revisions my agent and I did. So my editor jumped right to a heavy line edit, and as this was my debut novel, I didn’t know any different. Only now do I realize how unusual this was. My books since then have all had edit letters, of course – they’ve all been much heavier lifts for my editor than the first one!

6.) There was one scene I worked on in the same place twice – sort of. The scene where Adriana and her father go to stay at the Foscari country house was originally written in my dear friend Lindsay’s dorm at Canisius College, our alma mater. I was a commuter student, and one day on campus I got caught in a MASSIVE downpour, got completely soaked through, and had to go to her dorm so that a) she could put my clothes in her dryer and b) I could borrow some of her clothes while mine were drying. So while waiting for my clothes to dry, I got out my laptop and did some writing. A couple years later, I was revising that scene in my last revision before querying while in her apartment in Maryland, where I was visiting her while she was in grad school.

7.) While I was working on the book, I only ever called it “The Beast”. I never referred to it by its title, or it’s working title – it was only ever “The Beast”, and all my friends knew it by that name, too. For a while after it sold, I kept forgetting that when people said The Violinist of Venice, they were actually referring to my book!

8.) My very favorite part of the book is Chapter 30, “Composition”. This is the scene where Adriana gives Vivaldi the first movement of a concerto she’s composed, and he tells her what he thinks and plays it for her. This didn’t get added until revisions (in the first draft, Adriana wasn’t a composer herself). I love it because I so understand all the nerves and feelings that come with sharing your work with someone for the first time.

9.) There’s a line in the book where Vivaldi says “We are both of us whores”. This is my friend and critique partner Caitie’s favorite line I have ever written to this day. When I signed her book, I wrote that line in caps across the title page.

10.) I finally went to Venice before starting the final revision before querying. At that point, I had done tons of research through books, the internet, and taking violin lessons myself. Seeing Venice and experiencing it was the last piece of the puzzle for me. It was completely magical, and Venice is my favorite place in the entire world – I’ve since been back twice more. While I was there, I went to see an orchestra perform Vivaldi’s The Four Seasons, which was truly one of the most amazing experiences of my life – hearing the music in the place where it was written.

11.) I make color-coded notes for all my books. I have one notebook I carry around to jot down story notes as they occur to me, and each book gets its own color pen ink, so I can tell at a glance what book the notes are for. The notes for The Violinist of Venice were in dark red.

12.) The character most like me in this book is Giuseppe Rivalli. There’s a lot of me in Adriana for sure – the love of music being the big thing we have in common – but I realized at some point while writing this that Giuseppe was actually the most like me. I’m the friend who will try to talk you out of bad ideas, and when I can’t, I’ll go along to try to limit the damage.

13.) I’ve performed some of the music described in this book. I’ve performed the aria “Cosi potessi anch’io” from Orlando furioso, as well as the first movement of Vivaldi’s Stabat Mater. I’ve also sung in the choir and as a soloist for Vivaldi’s Gloria in D, which pops up a few times in the book.

14.) My favorite piece of music of all time is Vivaldi’s Concerto in B Minor for 4 Violins and Cello Continuo, which is Vivaldi and Adriana’s favorite piece in the book.

15.) There is a shout-out to one of my favorite bands in the first chapter. Chapter 1 ends with the line “I pulled my hood over my face and stepped outside into the late April rain, leaving him to think what he would.” This is a nod to the band Delain and their album April Rain, which I listened to constantly while writing this book. Most of the songs on the album are on the book’s playlist (which you can find here).

Bonus “fact”: If Adriana was a real person and around today, she would be first chair violin in a symphony orchestra and also playing electric violin in a symphonic metal band on the side.

A Bookish Gift Guide!

It’s time for the holidays again! I am of the opinion that books make excellent and thoughtful holiday gifts. So I’ve decided to put together a bookish gift guide that can help you pick out some great titles for the readers in your life based on other books, movies, TV shows, etc. that they like. Of course, I’ll also recommend which of my books would be the best fit for each reader based on interest! 🙂

Here we go:

If they like Game of Thrones:

My book: Gift them a preorder of The Borgia Confessions!

Fiction: From Unseen Fire by Cass Morris; An Ember in the Ashes by Sabaa Tahir; The White Queen by Philippa Gregory; Feast of Sorrow by Crystal King; The Cruel Prince by Holly Black; Three Dark Crowns by Kendare Blake; The Confessions of Young Nero by Margaret George.

Non-fiction: The Deadly Sisterhood: A Story of Women and Power in Renaissance Italy by Leonie Frieda, Blood Sisters: The Women Behind the Wars of the Roses by Sarah Gristwood, Ten Caesars: Roman Emperors from Augustus to Constantine by Barry S. Strauss; The Plantagenets: The Warrior Kings and Queens Who Made England by Dan Jones; The Tigress of Forlì: Renaissance Italy’s Most Courageous and Notorious Countess, Caterina Riario Sforza de Medici by Elizabeth Lev.

 

If they like visual art or movies like Shakespeare in Love or shows like The Tudors:

My book: The Most Beautiful Woman in Florence

Fiction: The Other Alcott by Elise Hooper; Portrait of a Conspiracy by Donna Russo Morin; The Birth of Venus by Sarah Dunant; The Lost Season of Love and Snow by Jennifer Laam; Blood Water Paint by Joy McCullough; I, Mona Lisa by Jeanne Kalogridis; Bitter Greens by Kate Forsyth; The Painter’s Apprentice by Laura Morelli.

Non-fiction: Bella Figura: How to Live, Love, and Eat the Italian Way by Kamin Mohammadi; The Ugly Renaissance: Sex, Greed, Violence, and Depravity in an Age of Beauty by Alexander Lee; Leonardo da Vinci by Walter Isaacson; Saving Italy: The Race to Rescue a Nation’s Treasures from the Nazis by Robert M. Edsel.

 

If they like music (especially classical music/opera) or The Phantom of the Opera:

My book: The Violinist of Venice

Fiction: The Mermaid’s Daughter by Ann Claycomb; Bel Canto by Ann Patchett; Daisy Jones and the Six by Taylor Jenkins Reid; Marrying Mozart by Stephanie Cowell; And After the Fire by Lauren Belfer; Wintersong by S. Jae-Jones; Prima Donna by Megan Chance.

Non-fiction: Vivaldi: Voice of the Baroque by H.C. Robbins Landon; The Ninth: Beethoven and the World in 1824 by Harvey Sachs; The Inner Voice: The Making of a Singer by Renee Fleming; Piece by Piece by Tori Amos and Ann Powers; The Violin: A Social History of the World’s Most Versatile Instrument by David Schoenbaum.

 

If they like Halloween, spooky stories, Tim Burton movies, and Hocus Pocus:

My book: The Spellbook of Katrina Van Tassel

Fiction: The Witch of Willow Hall by Hester Fox; The Witches of New York by Amy McKay; The Hunger by Alma Katsu; Ninth House by Leigh Bardugo; The Wicked Deep by Shea Ernshaw; The Diviners by Libba Bray; The Fifth Petal by Brunonia Barry; The Physick Book of Deliverance Dane by Katherine Howe; The Family Plot by Cherie Priest; The Devil and Winnie Flynn by Micol Ostow and David Ostow.

Non-fiction: Ghostland: An American History in Haunted Places by Colin Dickey; Spooked: Science Tackles the Afterlife by Mary Roach; The Witches: Salem 1692 by Stacy Schiff; I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer by Michelle McNamara.

 

I hope this gift guide gives you some ideas for your holiday shopping! If you do buy anything you found on this list, do let me know – I’d love to hear what you picked. Happy holidays to all!

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